CyberLink Unveils “I am a Power Director” Campaign

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CyberLink now unveiled a new community, “I Am A Power Director”, for users of its PowerDirector video control software. To become a Power Director, simply submit a testimonial — which can be a video, photo or small essay — describing the unique benefits of the program delivers to you. Visitors to the I Am A Power Director! community will be invited to vote for their favorite testimonials. Those who hear more than 100 votes will become PowerDirector Evangelists and will have the chance to win CyberLink’s PowerDVD 11 Ultra and PhotoDirector software, in addition to other prizes. For more information, visit the website below.

Website: I am a Power Director

Cyberlink Press Relief

Calling for Power Directors!

CyberLink Unveils “I am a Power DirectorCampaign for Video Enthusiasts

London — November 28, 2011 — Video enthusiasts who use CyberLink’s PowerDirector, the world’s fastest video editor, now have a new outlet to share their like and state emphatically, “I am a Power Director!”. CyberLink Corp. (5203.TW) now unveiled a new community, I Am A Power Director (http://www.iamapowerdirector.com), for PowerDirector users to express their affinity for the video editor that is the choice for millions of users around the globe.

The only qualifications to become a Power Director are enthusiasm for PowerDirector and the submission of a testimonial — which can be a video, photo or small essay — describing the unique benefits it brings them. Many prospective Power Directors already actively participate in the DirectorZone website, the world’s largest online community of video control enthusiasts, with more than two million members.

Visitors to the I Am A Power Director! community will be invited to vote for their favorite testimonials. Those who hear more than 100 votes will become PowerDirector Evangelists and will have the chance to win CyberLink Software, including PowerDVD 11 Ultra and PhotoDirector, in addition to other exciting prizes. CyberLink will post a selection of testimonials to its Facebook page, the CyberLink Youtube channel and the DirectorZone website. Complete rules and details on the campaign can be found at http://www.iamapowerdirector.com.

“A vast, quick-on the rise number of people around the world make PowerDirector their video editor of choice,” said Alice H. Chang, CEO of CyberLink. “There is no better way to capture our users’ enthusiasm about how our software enhances their leisure activity than by asking them to share, in their own unique way, how they are a Power Director.”

Anyone interested in video control or in learning more about the capabilities of PowerDirector should visit http://www.iamapowerdirector.com and watch our video commercials, one of which is available here:

http://www.youtube.com/watch?v=hgMrXRRShQg

About CyberLink
CyberLink Corp is the leader and pioneer in enabling digital multimedia on PCs, CEs and mobile devices through the use of video control software, video player software, and other multimedia solutions. Backed by a group of high-caliber software engineers, CyberLink owns its core codec and a number of patented technologies. CyberLink has built a solid reputation for delivering high-quality, interoperable, and quick time-to-market solutions that keep our OEM partners on the leading edge. Our business partners include leaders in the PC industry: top-5 desktop and notebook providers, optical drive manufacturers and visual-card makers. Now, CyberLink’s software solutions include: complete applications for Blu-ray Disc playback and creation; digital home entertainment; and touch-enabled media solution. With customers spanning from multi-national corporations to small/medium-sized businesses, and from power users to home users, CyberLink has loved rapid and consistent growth leading to a record breaking IPO in 2000 on the Taiwan Over The Counter Exchange (OTC: 5203). Currently, CyberLink is listed on the Taiwan Stock Exchange (ticker symbol: 5203.TW). CyberLink’s worldwide headquarters is located in Taipei. To keep up with market demands, CyberLink has operations in North America, Europe and the Asia Pacific region, including Japan. For more information, delight visit CyberLink’s website at http://www.cyberlink.com.


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Ricoh Lens A16 24-85mm f/3.5-5.5

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The Ricoh Lens A16 24-85mm f3.5-5.5 is a new lens/sensor module for the Ricoh GXR system, featuring a 15.7-55.5mm (24-85mm equivalent) lens and a sixteen-megapixel APS-C sized CMOS sensor. The newly developed lens features a 9-group, 11-element configuration, including three double-sided aspherical elements (as well as high-refraction lens elements) designed to reduce various types of distortion across the entire zoom range. Additionally, the A16 has an iris diaphragm with nine rounded blades for a pleasing rendering of the out-of-focus areas. Other highlights include dynamic range compression, ISO bracketing, an improved two-axis electronic level gauge and two different manual focusing aids. Pricing and availability to be confirmed.

Ricoh Press Relief

Ricoh announces RICOH LENS A16 24-85mm F3.5-5.5

A new GXR camera unit featuring a 3.5x optical zoom lens (24-85 mm) and an APS-C size CMOS sensor

Tokyo, Japan, February 2, 2012—Ricoh Co., Ltd. now announced the development and relief of RICOH LENS A16 24-85mm F3.5-5.5, the fifth camera unit in the GXR identical unit camera system.

First introduced in December 2009, the GXR is a revolutionary identical unit camera system in which lenses can be changed by mounting camera units that integrate lens, image sensor, and image processing engine into a single unit.

The new RICOH LENS A16 24-85mm F3.5-5.5 brings together a newly developed 24-85 mm wide-angle zoom lens, an APS-C size CMOS sensor, and the proven Smooth Imaging Engine IV to make a unit with high image quality, high power of expression, and high flexibility.


Main features of RICOH LENS A16 24-85mm F3.5-5.5

1)Newly developed 24-85 mm wide-angle zoom lens with an APS-C size CMOS sensor with approximately 16.20 million pixels
This newly developed lens features a 9-group, 11-element configuration. The utilization of three double-sided aspherical lenses as well as high-refraction lenses effectively reduces various types of distortion across the entire zoom range. The result is high resolution and imaging power from edge to edge.
The configuration of nine rounded aperture blades enables both highly precise aperture settings and gorgeous bokeh.
This camera unit features a 23.6 mm×15.7 mm (APS-C size) 16M CMOS sensor. In combination with the image processing engine Smooth Imaging Engine IV, this image sensor makes it possible to shoot high-quality images with smooth tonal gradations, as well as low noise and high-resolution.

2)Diverse shooting functions and high operability
Dynamic range compensation reduces overexposure of highlights and underexposure of dark areas. For backlit and high-contrast scenes that cannot be handled with exposure compensation, responsibility the dynamic range compensation in specific parts of the image makes it possible to shoot the subject at a brightness level accurate to that seen by the naked eye.
ISO sensitivity can be set in 1EV or 1/3EV steps.
With the new ISO bracketing function, the photographer can shoot and record three images with different ISO sensitivities.
When the new function for maintaining the same shooting settings is set on, by keeping the shutter relief pin pressed halfway after taking a picture, the photographer can continue to shoot with the same settings (focus, exposure, white balance, etc.).
The function for recording a JPEG image simultaneously with the RAW image has been expanded so that it is now possible to record only the RAW image. This is suitable for a work flow based on the premise that image finishing is to be done on a PC after shooting. Since a JPEG file is not simultaneously recorded, this option is also useful when the photographer wants to increase the number of images which can be recorded on the memory card.
It is now possible to turn ON/OFF the white saturation show that shows areas where bright parts will be rendered white and where color shade gradations will be lost.
The tilt indicator function has been enhanced. In addition to the conventional horizontal indicator, this function can now also notice camera movement direction tilting.
Copyright information such as the photographer’s name can be entered and written to the image Exif data. The recorded information can be checked on the playback screen meticulous information show.

3)Highly precise focusing
For the AF area size for spot AF, any normal or pinpoint can be selected.
A focus-help function has been included in an effort to raise the correctness of manual focusing. The photographer can select from two modes and check the focus by strengthening outlines and contrast.
The shooting screen can be magnified for convenience in focusing. The magnified area can be showed in the center or across the entire screen. In addition, the image quality for 4x and 8x magnification has been additional enhanced. The area to be magnified can be went using the direction pad.

4)The power of expression that is a hallmark of the GXR series
Picture settings for image quality and color can be customized with nine levels for simple creation of a diverse range of images.
My Settings enables the settings for a wide range of shooting functions to be recorded in advance and specified in an instant when needed. For the setting storage, now six patterns can be stored in the body’s My Settings Box and six patterns can be stored in the SD card. This expands the world of photo expression by enabling GXR users to exchange their shooting settings.
B (bulb) and T (time) can now be selected as the shutter speed in manual exposure mode. With “B,” the exposure continues while the shutter relief pin is pressed, and with “T,” the shutter relief pin is pressed to start and end the exposure. For both, the exposure is forcibly finished when 180 seconds have elapsed.
New scene mode options have been added for the simple enjoyment of a wide range of photo expression. The five new options are soft focus, place a stop to process, toy camera, miniaturize, and high contrast B&W. The photographer can make a unique image by just pressing the shutter relief pin.
An image flag function has been added to enable the quick show of specific images from amongst those in the camera. Up to 20 images can be flagged.
It is possible to shoot 1280 × 720 pixel HD movies.
* Note: When shooting movies of 1280×720 size, the use of an SD/SDHC memory card with an SD speed class of Class 6 or higher is recommended.

5)New options added
A newly designed lens hood (LH-2) especially for this camera unit.
A lens cap (LC-3) that opens and closes simultaneously with the movement of the lens. It does not need to be removed when shooting.
A wrapping page (WS-1) that can wrap the GXR when the camera unit, outdoor viewfinder, and other options are attached.

RICOH LENS A16 24-85mm F3.5-5.5 options

Manufactured goods Model
Lens Hood LH-2
Self-retaining Lens Cap LC-3
Wrapping Page WS-1

All of the focal lengths in this relief are converted to the equivalent values for a 35 mm film camera.
LH-2 and LC-3 are new options being introduced at this time.
Functions when the GXR body is attached.

RICOH LENS A16 24-85mm F3.5-5.5 Major Specifications

Effective pixels:
Approximately 16.20 million

Image sensor:
23.6 mm × 15.7 mm CMOS sensor (total pixels: approx. 16.50 million pixels)

Lens:
Focal length: f=15.7~55.5 mm (35 mm camera equivalent: 24-85 mm)
Aperture (f-number): f/3.5 – f/5.5
Focus range: Approx. 25 cm – infinity (from the front of the lens)
Construction: 11 elements in 9 groups (3 aspherical lens elements with 6 surfaces)
Filter diameter: 55 mm

Zoom:
Optical zoom: 3.5x
Digital zoom: 4.0x (3.6x for movies)
Auto resize zoom: Approx. 6.8x (VGA)

Focus Modes:
Contrast AF-based multi and spot AF; MF; Snap; infinity (focus lock and AF-help)

Shutter speed:
Photographs: 1/3200 – 180 s , bulb, time (upper and lower limits vary according to shooting and sparkle mode)
Movies: 1/2000 – 1/30 s

Exposure control:
Metering: TTL metering in multi (256-segment), center-weighted, and spot metering (TTL metering with auto exposure lock)
Mode: Program AE, aperture priority AE, manual exposure, shutter priority AE, target-go function
Exposure compensation: Manual (-4.0 EV to +4.0 EV in increments of 1/3 EV or 1/2 EV), auto bracketing (-2.0 EV to +2.0 EV in increments of 1/3 EV or 1/2 EV)

ISO sensitivity (Standard Output Sensitivity):
AUTO, AUTO-HI, ISO-LO, ISO200, ISO250, ISO320, ISO400, ISO500, ISO640, ISO800, ISO1000, ISO1250, ISO1600, ISO2000, ISO2500, ISO3200

White balance:
Auto / Multi-P AUTO / Outdoors / Cloudy / Incandescent Lamp 1 / Incandescent Lamp 2 / Fluorescent Lamp / Manual Settings / Point; white balance bracketing

Sparkle (when GF-1 is used):
Method: TTL, manual, outdoor auto
Sparkle mode: Anti Red-eye, Sparkle On, Sparkle Synchro, Manual
Firing timing: 1st/2nd curtain sync

Shooting mode:
Auto / program shift / aperture priority / shutter priority / manual exposure /scene (movie, portrait, sports, landscape, nightscape, skew correction, miniaturize, high contrast B&W, soft focus, place a stop to process, toy camera) / “My Settings”
Unremitting mode:
Number of pictures shot in Unremitting (Picture Size: RAW):
Noise Reduction off: 3 pictures
Noise Reduction on: 2 pictures

Number of pictures shot in M-Cont Plus (1 set):
HI (1280 × 856): 30 pictures (30 frames/sec.)
LO (4928 × 3264): 14 pictures (2.5 frames/sec.)

Picture quality ?1:
FINE, NORMAL, RAW (DNG) ?2

Image size (pixels):
Photographs:
16:9 4928×2768, 3456×1944
4:3 4352×3264, 3072×2304, 2592×1944, 2048×1536, 1280×960, 640×480
3:2 4928×3264, 3456×2304
1:1 3264×3264, 2304×2304

Movies:
1280×720, 640×480, 320×240

File size (approx.):
RAW:
16:9 NORMAL: 23,445 KB/frame, FINE: 25,703 KB/frame, VGA: 20,508 KB/frame, RAW only: 20,332 KB/frame

4:3 NORMAL: 24,443 KB/frame, FINE: 26,795 KB/frame, VGA: 21,405 KB/frame, RAW only: 21,181 KB/frame

3:2 NORMAL: 27,603 KB/frame, FINE: 30,265 KB/frame, VGA: 24,139K KB/frame RAW only: 23,937 KB/frame

1:1 NORMAL: 18,383 KB/frame, FINE: 20,147 KB/frame, VGA: 16,105 KB/frame RAW only: 15,929 KB/frame

L:
16:9 NORMAL: 2,901 KB/frame, FINE: 4,999 KB/frame

4:3 NORMAL: 3,041 KB/frame, FINE: 5,226 KB/frame

3:2 NORMAL: 3,415 KB/frame, FINE: 5,889 KB/frame

1:1 NORMAL: 2,288 KB/frame, FINE: 3,927 KB/frame

M:
16:9 NORMAL: 1,481 KB/frame, FINE: 2,514 KB/frame

4:3 NORMAL: 1,579 KB/frame, FINE: 2,668 KB/frame

3:2 NORMAL: 1,749 KB/frame, FINE: 2,974 KB/frame

1:1 NORMAL: 1,192 KB/frame, FINE: 2,008 KB/frame


5M:
4:3 FINE: 2,293 KB/frame

3M:
4:3 FINE: 1,479 KB/frame

1M:
4:3 FINE: 818 KB/frame

VGA:
4:3 FINE: 202 KB/frame

Battery life:
Based on CIPA standard, DB-90: approx. 400 shots?3

Dimensions (W × H × D):
Camera unit only: 71.4 mm × 70.5 mm × 93.3 mm
(according to CIPA guidelines)
When mounted on the GXR body: 113.9 mm × 74.7 mm × 98.5 mm
(according to CIPA guidelines)

Weight (approx.):
Camera unit only: Approx. 350 g
When mounted on camera body: Approx. 550 g (battery and SD memory card included)

Operating temperature:
0 °C to 40 °C

Operating humidity:
90% or less

Storage temperature:
–20 °C to 60 °C

*1) The picture quality modes which can be set vary depending on the image size.

*2) A JPEG file is also recorded (the JPEG file may be a FINE- or NORMAL-quality file with the same dimensions as the RAW file or a VGA file 640 × 480 pixels in size). RAW files use the standard DNG plot promoted by Adobe Systems Incorporated.

*3) For reference only; actual number of shots varies momentously according to how camera is used. We recommend that you carry spare batteries when in use for extended periods.
(Shooting capacity was measured using CIPA-standard parameters. These are only estimates; performance may vary depending on usage conditions.)


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IFES 2012 Photography Contest

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The International Foundation for Electoral Systems (IFES) has announced the IFES 2012 photography contest. The competition, which seeks photographs of individuals taking part in the electoral process or other activities that demonstrate the values of democratic governance and citizen engagement, is open to amateur and professional photographers, and entries are accepted through 16th February 2012, 11pm ET. Full contest rules and entry information are available online at the website below.

Website: IFES Photo Contest

IFES Press Relief

IFES 2012 Photography Contest

What:
Since 2009, the International Foundation for Electoral Systems (IFES) has sponsored an annual democracy-themed contest to highlight the many ways people around the world demonstrate a sense of civic responsibility. IFES encourages images of individuals taking part in the electoral process and other activities that demonstrate the values of democratic governance and civic engagement.

One winner and up to 10 finalists will be chosen in each category. The winner of each category will hear $600 (USD).

Who:
The contest is open to amateur and professional photographers and will be divided into two categories:
·      The Public Category is open to all photographers who are at least 18 years of age at the time of entry

·      The IFES’ Choice Category is open only to current and former IFES employees, including consultants and interns

When:
Contest opens Jan. 5, 2012, at 8 a.m. Eastern Time and closes Feb. 16, 2012, at 11 p.m. Eastern Time.

Full contest rules and entry information are available online at http://photocontest.ifes.org.


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